Robert Eggers' Nosferatu successfully reinvents the classic vampire for a new generation. How does his version compare to F.W ...

With Robert Eggers' version in theatres, we look at the small but distinguished cinematic legacy of ‘Nosferatu’ ...

It is hard not to view the latest film by Robert Eggers (The Witch, The Northman) as intentionally correcting the perplexity ...

There's an aversion to beauty and being earnest these days, a kind of a grunge going on. It’s nice to strive for beauty and ...

Werner Herzog 's version is less enamored with his powers and more interested in his melancholic spiritual plight, making his ...

A hundred years after terrorising its first hapless victims, F.W. Murnau’s rebellious expressionist fever dream refuses to ...

In Robert Eggers’ Nosferatu, history isn’t just a matter of costumes; it shapes the character’s experience and serves as the ...

There’s a stiffness to Robert Eggers’ remake of F.W. Murnau’s 1922 original (itself a thinly veiled version of Dracula) that ...

Watching a character like Count Dracula evolve over the past century and the context in which the public thinks of the ...

Max Schreck plays Orlok like a living shadow: He twists and contorts, slowly creeping from corners and adopting an eerie, supernatural approach. Nosferatu is, first and foremost, a German ...

where did you and Rob come down on how and if you wanted to reference the original “Nosferatu”? I’m thinking specifically of “The Shadow,” but that comes in the last part of the film ...

Max Schreck plays Orlok like a living shadow: He twists and contorts, slowly creeping from corners and adopting an eerie, supernatural approach. Nosferatu is, first and foremost, a German ...