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NIMATALLAH / Contributor In Rembrandt’s Portrait of a Sitting Man (1631), you can clearly see the realistic detail not only in the lines and wrinkles around the eyes but in the texture of the hair.
If someone had told me a few years ago that I would be ’drawing’ a new eye for a person who physically doesn’t have one, I ...
NIMATALLAH / Contributor) In Rembrandt’s Portrait of a Sitting Man (1631), you can clearly see the realistic detail not only in the lines and wrinkles around the eyes but in the texture of the hair.