Henri Matisse began working on paper cut-outs in 1941, and continued until his death in 1954, creating compositions using gouache painted paper, cut with scissors and pinned to studio walls to create ...

Surely “Matisse: The Cut-Outs” is the must-see museum show in New York this fall, with Leonard Lauder’s extraordinary collection of Cubist paintings at the Metropolitan Museum of Art running ...

Sophie Matisse, Henri Matisse's great-granddaughter, discusses the artist's famous "cut-outs", which are on display at the Tate Modern in London from this week.

When Matisse drifted from painting, he gravitated toward what would become his "cut-outs," pieces that allowed him to toy with dimensions outside the constraints of a canvas.

This was published 11 years ago Matisse's final works a cut above As a stunning new London show reveals, Matisse’s cut-outs weren’t just pretty shapes, writes Richard Dorment.

A new exhibition at Tate Modern, Henri Matisse: The Cut-Outs, includes 130 works made from the late 1930s until Matisse’s death in 1954 at the age of 84. Matisse regarded his recovery as une ...

Henri Matisse, “The Swimming Pool (La Piscine)” (late summer 1952), maquette for ceramic (realized 1999 and 2005). Gouache on paper, cut and pasted, on painted paper. Overall 73 x 647 inches.

Crowds gather at the heart of Henri Matisse: The Cut-Outs, drawn to an artless home movie showing the master at work. He looks, and was, extremely unwell. Not even a rakish straw hat, part cowboy part ...

The Chapel liberated Matisse into fresh monumentality: cut-outs as a four-metre narrative in “1001 Nights” (1950); as almost pure abstraction in the spirals of “The Snail” (1953); renewing ...