Eva Hesse’s latex and fiberglass pieces ... Five of those latex and fiberglass sculptures, changing what art could be, have been reunited for the first time in over 35 years in an affecting ...

But if the body could crack open, how would sculpture render it? What shapes would this opening take? Eva Hesse and Hannah ... s experimental 1960s art world. Hesse’s and Wilke’s experiments ...

After 35 years of laying in storage, a monumental sculpture by Eva Hesse will ... Life doesn’t last; art doesn’t last.” Eva Hesse's table, around 1968-69 Photo: Mel Bochner That has left ...

Portrait of German-born American artist Eva Hesse (1936 – 1970) as she crouches beside one of her sculptures ... that exists behind these works of art radiates in its simplicity, elegance ...

Eva Hesse first became known in the New ... Hesse returned to the U.S. and rose to become a star in the New York art world. Her abstract sculptures seem fragile and impermanent.

For the past, Hesse’s classic sculptures loom large ... And it’s a moment that is here again today. “Eva Hesse,” San Francisco Museum of Modern Art, 151 3rd St., (415) 357-4000, through ...

Hesse’s brief oeuvre is now rapidly decaying, especially her latex sculptures. The image of brevity, in the art and the life, is now inescapable—and piercing. Eva Hesse: Sculpture Jewish Museum.

The frequently used term ``minimalist'' doesn't really fit the most provocative of Hesse's disturbing sculptures. Long Life , for instance, conjures a womb with an umbilical cord--or is it a bomb ...

The museum first showed the sculpture in its 1972 memorial ... Life doesn't last; art doesn't last.” Eva Hesse's table, around 1968-69 Photo: Mel Bochner That has left institutions grappling ...