A single scene of John Belushi’s Bluto on a ladder peering into a sorority house window had more cultural power than anything in Alice Doesn’t Live Here Anymore, An Unmarried Woman, Maude, One ...

Consider the scene in which Bluto finds a two-story ladder one night to peep into the window of Mandy Pepperidge (Mary Louise Weller) and other sisters living in her sorority house.